|
Composer | BETKO Milos |
|
|
||
|
|||||
Original Title | Trilkovanie trilkov |
|
|||
Subtitle | the eleventh power of an orchestra |
|
|||
Genre | modern classical concert music (educational) |
|
|||
|
|||||
Instrumentation | 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, |
|
|||
2 Horns in F, 2 Trumpets in Bb, 2 Trombones |
|
||||
Timpani, Suspended Cymbal |
|
||||
Strings |
|
||||
Duration | 8 minutes |
|
|||
|
|||||
Year of Composition | 2000 |
|
|||
Copyright | © Milos Betko (SOZA), Bratislava, Slovakia |
|
|||
Premiere | ONDRAS Libor - Conductor |
|
|||
SNOW COLLEGE ORCHESTRA UTAH |
|
||||
Smrdaky, Slovakia, 2000 |
|
Program note |
TT is a search for an answer to the question about what the trill
is and what does the trilling mean. More precisely asked, what could be
still count as a trill and where are the bounds of the trilling? The
statement that the trill is an interchanging of two notes perhaps
doesn’t put up a strong resistance. However another subquestions
are showing up: What is the maximal distance between the notes formed a
trill? How many times minimally should they change? How fast? Must they be
of the same length, the same articulation, ...? |