"What we see and what we hear is complementary, self-supporting and self-explained."
Frruccio Busoni

Interviewer: "What it is playing with professional musicians like?"
Clarinetist No. 2 (aged 15): "It's fun. When I'm having my own performance, it's different. Now I am not so nervous. It's better than usually."
Interviewer: "At this concert, you're not only playing clarinets, but the composer makes you to move on the stage and make possible and impossible things, too. What is it like?"
Clarinetist No. 3 (aged 13): It's great fun, but it's not easy to move on the stage and play and I am nervous a little bit, too."
Interviewer: "What is your work with Milos Betko like?"
Clarinetist No. 4 (aged 15): "He tells us what to do and it is quite strange, because what he says seems unnatural to us. Therefore, we have to listen to his advice a lot."

Clarinetist No. 11 (aged 20): "Listen, does he always have so many of them?"
Clarinetist No. 12 (aged 27): "Yes. The most beautiful are that dark brown."

Clarinetist No. 9 (aged 62): "ADIS"

The artistic work potentially contains all possibilities to affect human senses. The author knows very precisely., what is intentional in his work and what is not. The percipient estimates, what is genetically intended and what is not. Opposition of intentional and unintentional may create substance of work.

Two composer's questions to the audience:
1.  Do you think that I have intentionally omited anything from the text?
2.  ... if yes, why no?