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Composer | BETKO Milos |
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Lyricist | CIRCLE Peter |
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Original Title | Koncert pre klarinet a strnast klarinetistov |
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Subtitle | keyboard for thirteen clarinets and one well-known clarinetist in addition, |
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xylophone and some actor with trumpet | |||||
Genre | abstract stage music |
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Movements | 8 Scenes (Intermezzo between 3rd and 4th Scene) |
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Instrumentation | 2 Clarinets in Eb, 8 Clarinets in Bb (one of them changes Clarinet in A), |
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2 Clarinets in A, 2 Bass Clarinets in Bb, Xylophone, Trumpet in Bb |
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Duration | 35 minutes |
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Year of Composition | 1989 - 1990 |
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Copyright | © Milos Betko (SOZA), Bratislava, Slovakia |
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Premiere | TOMAN Kamil, ZEMAN Miroslav - Clarinets in Eb |
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DOBOS Ladislav, DRLICKA Peter, HERAK Radim, POUL Miroslav, |
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SEBESTA Robert, UHLIAR Jozef, ZIERIKOVA Miroslava - Clarinets in Bb |
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SEBESTA Ronald - Clarinet in Bb, Clarinet in A |
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KLEMENT Henrich, KONCER Gabriel - Clarinets in A |
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GRIGLAK Frantisek, VISKUP Ivan - Bass Clarinets in Bb |
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MASIK Peter - Xylophone |
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FEDER Roman - Actor with Trumpet |
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BETKO Milos - Stage Direction |
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Bratislava, Slovakia, 1992 |
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Program note |
"What we see and what we hear is complementary,
self-supporting and self-explained." Interviewer: "What it is playing with
professional musicians like?" Clarinetist No. 11 (aged
20): "Listen, does he always have so many of them?" Clarinetist No. 9 (aged 62): "ADIS" The artistic work potentially contains all possibilities to affect human senses. The author knows very precisely., what is intentional in his work and what is not. The percipient estimates, what is genetically intended and what is not. Opposition of intentional and unintentional may create substance of work. Two composer's questions to the audience: |